In certain parts of the world, having a porch or verandah was integral to the home. Over time, with new builds, these are often omitted. I’ve been reflecting a lot about this in light of the many benefits which come from having an outside extension and living space to the home. In my homeland of Australia, a Queenslander (type of home) always had a verandah, and often wrapped around three sides. It connected one to the outside world while providing some shelter from the weather. A porch or verandah was a meeting place for friends and family. A gathering place of community and connection.


For almost 26 years now, I’ve made my home in rural Cumbria in the north of England. Our home has a porch. It’s an outdoor area with a roof that allows us to be outside and, if necessary, have cover during rain.


And it is to the porch I come for many reasons: morning cuppa, quiet time in my day, meditation, a chat with husband, lunch with friends, to cook damper over the firepit with loved ones, watch the birds at the bird-feeding station, to breathe in the calm of the night-time stars and Moon before I head to bed, and I come here to write ceremonies and books. Although I have a lovely writing room, I’ve found that sitting out here at my table gives me a view that, even though it’s the same as from my writing room, feels more connected. In many ways, this space has become my psychic sound chamber: where I consider, digest and live with my many thoughts and feelings on all manner of things.


There are two views from the porch; the view I can see before me, and the inner vision that evolves from these daily pockets of porch time.

Last Christmas, I decided to treat myself to a week’s hire of a hot tub. Warmth, particularly warm or hot water, is my idea of bliss. Christmas week is a full one: our celebration of Christmas on Christmas Eve as per my German ancestors; my birthday on the 28th, our wedding anniversary on the 29th. I figured being able to soak for a few hours each day would help me unwind from a busy work year. What I learned, by sitting outside in the middle of an ice-cold Winter, was that even though it’s a time I’d traditionally hibernate, the world outside couldn’t have been more alive. I’d be up long before sunrise delighted to step into that warmth and relax. Beneath starlight, I enjoyed watching the skyline change from ink-black to blue. At other times, I soaked in the warmth while a thunderstorm raged around me. I was in that tub at least twice a day, and for a good couple of hours each time. The changing colours of the sky, the dance of clouds, watching the flight of birds, and so on, were beautiful reminders that nothing stays still. Life is always changing.



What I’ve learned from porch life is that no matter how crazy-busy my work days get, or if I’m working seven days a week from before sunrise right through to deep into the night, stepping out onto the porch transforms me. In some ways, it’s become a healthy addiction. This view is what allows me to keep going.

Being connected to the natural world in this way is the equivalent someone else might feel when they see a regular counsellor. Are you ok? What’s been happening? Want to talk about it? How do you feel about that?

 

Veronika Robinson is an author, publisher, celebrant, celebrant trainer and mentor, and retreat host in rural Cumbria. 


There are so many aspects to the art of creating a ceremony that, if you’re planning to book a celebrant, it’s worth really looking into what’s involved. Your investment in a celebrant goes way beyond paying someone to stand up and speak for 20-30 minutes or so.

 



Opening Up to Inspiration
From the moment I’m booked, ceremony development is happening. It is entwined in every interaction between me and the people I’m serving. My mind is integrating each piece of information I’m given, and I begin creating (in my head if not on the page). Certainly, when I come to the page (blank screen on my laptop or notebook), I’m already hosting an influx of ideas.

 



Listening
Listening is, I believe, the most important aspect of being a celebrant. By this I mean deep-level listening. This is about more than what you hear. It’s also about what’s not spoken, and having a keen awareness of body language. There’s another listening that happens, too, and for me this is listening to my inner voice (or intuition). This guidance supports me in all my ceremony writing (even, and especially, when my ‘logical’ voice is telling me otherwise).

To listen is to have a solid foundation for what is placed upon that.

 



Creating
Next comes creating. As a sensual person, my whole being is involved in ceremony creation. I can see it, hear it, perhaps have a sense of the scent of it (if there are perfumery rituals or we’re outdoors), and I really can feel the ceremony in my whole being. THIS, of course, has to be translated to the page.

 



Choice Making
Before a script is written, there are choices to be made (by me and/or my client), communication, research, considering my reaction to various ideas. Even in scripts with a short turn-around time, such as a funeral, where I’m working to the pressure of having to send off a script within 24 to 48 hours, I still go through the same phases of ceremony development (just in concentrated time).

 



Unseen Qualities
There is no price that you can put on a celebrant’s experience, creativity, empathy and intuition.

Obviously, we charge a fee as an energy exchange (money is, after all, our cultural currency) for our services but I often wonder about that potency or accuracy of that. For example, coming home from a double-grief funeral, when my heart is split in two from the trauma and tragedy story I’ve walked into and out of, I know that there is no price you can put on being ‘the keeper of stories’. What fee can you place on all the hours of walking beside another in grief?

 



And who holds the celebrant as they integrate all the grief they’ve absorbed from a congregation of mourners? Whether we like it or not, being a funeral celebrant can have a massive impact on our health as we’re having to ‘master’ emergent grief and empathy from spilling out. It takes a toll. And then there’s the stress of making sure a funeral service in a crematorium doesn’t run over time (even though a skilled celebrant writes their scripts to be time sensitive, other timing issues are well out of our control).

 


As a celebrant who officiates across all rites of passage, many of my ceremonies are happy and joyous. These too, despite the upbeat tone, also carry the weight of responsibility: to ‘get it just right’.

There are times, to the untrained eye, where I might look as if I’m just pottering around the garden admiring my flowers (which I am) but it’s also a quiet space in which to allow ideas to unfurl. Sitting on the sofa in silence, watching flames flicker in the woodstove or standing in a steamy shower are also times for ‘creating ceremony’.

 

 

My creativity isn’t marked by being at the laptop from 9am to 5pm. This is no ordinary job. I don’t actually see celebrancy as a job so much as a way of life. It is a constant energy exchange between me, the world around me, and the people I serve.

So I’m just as likely to be celebranting (creating ceremony) while cooking up a curry, watching rain drops slipping down the window pane, gathering raspberries at sunrise, or out walking in the woods.

 

Wherever I am, and no matter the time of day, all these places and moments have one thing in common: my heart. And this ‘ol heart is what takes me through each moment of ceremony development.



Veronika Robinson has been officiating ceremonies since 1995. She’s also a celebrant trainer for Heart-led Celebrants, and editor of The Celebrant magazine. She officiates ceremonies from Callanish to Cornwall, though primarily works in Cumbria.


This guest blog is written by Eliza Robinson

Eliza is an author and astrologer. She is based in Glasgow, Scotland, and works with clients from all over the world.


Persephone, Pluto and Power is a journey through the underworld for writers and creators.

 



For many writers and artists, shame is detrimental. It can hold you back for years, or even a lifetime.

In this workshop, I will show you how you can transform your shame into a powerful creative force. Through a combination of astrology, mythology, and writing exercises, I will help you turn your monsters into the ultimate muse.

 

 


Persephone, Pluto and Power is a 90-minute-long workshop, launching on March 3rd. The workshop will be pre-recorded, so that you can engage with and move through its content at your own pace.


In this value-packed workshop, I share all the secrets I’ve learned in my years as a writer and astrologer. By the end of this workshop, you will:
• understand the role of shame in creativity
• work intimately with your shame through powerful writing exercises
• have actionable tools to clear shame blocks
• utilise archetypes and symbolism to help you journey through shame and transform it into power

 



Who is this workshop for?
• You do not need any prior knowledge of astrology or writing to gain immense value from this workshop. It is designed for people at all levels, from beginners to those who have been writing for years. Shame can stop us in our tracks at any point in our journey. I am here to guide you through the underworld, and teach you how to alchemise your shame into creative power
• This workshop is open to people of any gender, but there is a focus on feminine archetypes and experience

Are you ready to transform the monsters under your bed into a muse?

It is time to allow your shame to transport you to a deeper level of creative power!

 



https://elizaserenarobinson.com/wordpress/product/pre-order-persephone-pluto-and-power-workshop/